Garrett O’Brien Shooting McKenna Michels’ song “Monster” on Optimo Primes
Cinematographer Vincent Gallot shares his experience on using the Optimo Primes on “The Future Awaits”
Angénieux Interview with DP Zhu Yongkang – The Unique Charm of Angénieux Lenses in Creative Work
DP Fan Zewei Talks About Angénieux Optimo Primes
Pieter Van Alphen shooting “2050” in Antarctica with Optimo Ultra Compact
DP Li Zhipeng on Optimo primes and EZ series
Web Drama Regeneration Cinematographer Ge Rongyun on Angénieux Optimo Primes
Sofia Urwitz’s shooting with the IOP
Sofia Urwitz and Angénieux Optimo Primes: “Great Performance” for shooting “No Lo Veo Claro”
Interview with DP Zhang Jiang about shooting “Viva La Vida” with Angénieux Optimo Primes
Cinematographer Vincent Gallot shares his experience on using the Optimo Primes on “The Future Awaits”
Angénieux Interview with DP Zhu Yongkang – The Unique Charm of Angénieux Lenses in Creative Work
DP Fan Zewei Talks About Angénieux Optimo Primes
Pieter Van Alphen shooting “2050” in Antarctica with Optimo Ultra Compact
DP Li Zhipeng on Optimo primes and EZ series
Web Drama Regeneration Cinematographer Ge Rongyun on Angénieux Optimo Primes
Sofia Urwitz’s shooting with the IOP
Sofia Urwitz and Angénieux Optimo Primes: “Great Performance” for shooting “No Lo Veo Claro”
Interview with DP Zhang Jiang about shooting “Viva La Vida” with Angénieux Optimo Primes